Project Description
Huile sur toile
Dimensions : 35 cm x 46 cm
Perspective of the construction of the Petit Palais and the Grand Palais dedicated "to Monsieur Albert Hauch, grateful tribute »
Signed below the dedication
Small and Grand Palace construction. Paris for the Universal Exhibition of 1900.
Gaston Jobbe-Duval
Born at the end of the 19th century.
Member of French Artists since 1906. Received state aid : “Encouragement and assistance to artists (painters, sculptors…), vendor records, donors and collectors. Incentives, compensation and relief, 26 January 1894 – 12 August 1895.
Source : Benezit and National Archives Paris Fontainebleau Pierrefitte-sur-Seine
The Grand Palace
Is built in Paris from 1897, for the World Expo scheduled for 15 April , instead of the vast but uncomfortable Palais de l’Industrie of 1855. “Monument consecrated by the Republic to the glory of French art”, as indicated by the pediment of the west wing (Antin Palace), its original vocation was to host major official artistic events in the capital.
In the years 1960, Le Corbusier wanted the Grand Palais to be demolished in order to set up the Musée d'Art du XXe century of which André Malraux entrusted him with the realization. The death of the architect, the , end the project.
By decree of , la nef est classée au titre des monuments historiques. Un nouvel arrêté du , protège le Grand Palais dans sa totalité.
Le Petit Palais
En novembre 1895 un concours est lancé afin de créer un nouvel axe reliant l’esplanade des Invalides aux Champs-Elysées, avec la construction d’un nouveau pont le pont Alexandre III.
Le projet de 1894 envisage pour la première fois la destruction du palais de l’Industrie, construit le long des Champs-Elysées pour l’Exposition universelle de 1855, et en son lieu et place, la construction de deux palais.
Le lauréat, l’architecte Charles Girault (1851-1932) qui s’engage à préserver au maximum les arbres du carré Marigny, commence les travaux à l’automne 1897, ils vont durer deux ans.
Sur un soubassement monumental, the noble floor or first floor, is arranged to accommodate the works.
the entrance pavilion has on the outside a decoration sculpted by Jean-Antoine Injalbert, Louis Convers, Desiré-Maurice Ferrary and René de Saint-Marceaux; to inner cupola is painted by Albert Besnard.
The vaults of the sculpture galleries are the work of Fernand Cormon. Ferdinand Humbert directs the left gallery and Alfred Roll, the one on the right.
The dome of one of the round pavilions is executed by Maurice Denis.
The architect Charles Girault designed it according to a trapezoidal plan comprising four bodies of buildings distributed around a semi-circular interior garden bordered by a peristyle.
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